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Chamber Series

Bach to Bach

Kayoko Dan, conductor
Rosella Ewing, mezzo-soprano
Holly Mulcahy, violin
J.S. BACH: Partita for Violin No. 2 in D minor
MENDELSSOHN: Concerto for Violin and Strings
JAN BACH: Four Two-bit Contraptions for Flute and Horn
J.S. BACH Cantata No. 35

Holly Mulcahy 01-web

Music Director Kayoko Dan features chamber works by J.S. Bach and Jan Bach. New concertmaster, Holly Mulcahy, will also be featured on Mendelssohn’s Concerto for Violin and Strings.

Principal Flute Kristen Holritz shares program information and what to listen for in Bach to Bach video program notes.

CH1 webHolly Mulcahy

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. Since then, she has won multiple tenured positions in symphonic orchestras from Richmond to Phoenix and has performed on a variety of domestic and international tours including the Washington National Opera Japan tour under the leadership of Placido Domingo and the 2012 Carnegie Hall appearance with the Nashville Symphony Orchestra.

She currently serves as concertmaster of the Chattanooga Symphony Orchestra and began developing her leadership skills at the renowned Peabody Institute of the Johns Hopkins University with former Baltimore Symphony concertmaster Herbert Greenberg. In recent seasons she has enjoyed serving as guest concertmaster for the Columbus Symphony (OH), Baltimore Chamber Orchestra, and a one year appointment as interim concertmaster for Orchestra Iowa.

As an in-demand performer, Holly maintains a very busy schedule serving as traveling concertmaster for the Emmy Award winner George Daugherty’s Bugs Bunny at the Symphony program and performing with Grammy award winning Nashville Symphony and Milwaukee Symphony.

She spends her summers at the celebrated Grand Teton Music Festival where in addition to performing in the violin section and assistant principal second, Holly volunteers as an active chamber musician. In the summer of 2011, she performed Pulitzer Prize winning composer Jennifer Higdon’s Piano Trio under Ms. Higdon’s direct supervision. Following the performance, Higdon said “Working with Holly Mulcahy was fantastic. She’s a superb musician and a great colleague. I always think my Piano Trio is a great test for violinists, because it has such wildly varying moods: long and lyrical lines, delicately played, and then racing and driving rhythms, moving at top speeds with intensity. Holly nailed it all splendidly. I would work with her again any chance I could. She was wonderful.”

Passionate about all things etiquette, Holly makes her home in Oak Park, IL, Chicago’s Frank Lloyd Wright neighborhood, where she maintains a reputation for planning and hosting exquisite gourmet parties. In addition to an active performing career, she is the author of Neo Classical, a monthly column on the future of classical music. She enjoys gardening, organic cooking, and spoiling her cats. A lover of all things outdoors, she aspires to start her own organic farm.

Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award winning master bow maker, Douglas Raguse.

Ewing headRosella Ewing

Rosella Ewing, mezzo soprano, is delighted to return to her native Tennessee to perform with her friends at the CSO. Chief among the many opera roles Ms. Ewing has performed in her career are Cherubino in Le nozze di Figaro, Charlotte in Werther, Meg in Little Women, Mother Marie in Dialogues des Carmelites, Dorabella in Cosi fan tutte, Mrs. Page in Merry Wives of Windsor, the Mother in Amahl and the Night Visitors, and the Mother in Hansel and Gretel. In addition to many performances with the CSO, including the Verdi Requiem last spring, Ms. Ewing has performed professionally with the New Orleans Opera, Asheville Lyric Opera, Des Moines Metro Opera, Tri-Cities Opera, and at the Rose Theater with Lincoln Center. She participated in the apprenticeship programs of Santa Fe Opera, Des Moines Metro Opera, Chautauqua Opera, Tri-Cities Opera, and the Martina Arroyo Prelude to Performance program in New York City.  Ms. Ewing enjoys performing in oratorios and recitals as well as opera.  In 2011, Ms. Ewing was honored to receive the Individual Artist Grant from the Tennessee Arts Commission.  Dr. Ewing received her DMA from Louisiana State University and is currently an Assistant Professor of Voice and Opera at the University of Arkansas at Little Rock.